Month: February 2014

By the lake

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It’s spring. You are standing by the lake and all melted. Melted the ice and the snow. Melted the poplars, the creek, the sky. They all spilled, maybe into water. You are standing by the lake, standing on the hills melted into nothingness. An unspecified nothing.

It’s summer. You are standing by the lake and all burned out. Burned out the grass, the road. Burned out the misty dawns, the arid steppes, the days and the nights, and the minutes and the moments. They all burned out, maybe into fire. You are standing by the lake along the road that burned into nowhere.

It’s autumn. You are standing by the lake and all rotted away. Rotted away the fruits, the harvest. Rotted away the colors. Rotted away the rhythm, the melody, the repetition. They all rotted away, maybe into earth. You are standing by the lake on a gossamer rotted away into nothingness.

It’s winter. You are standing by the lake and everything has frozen. Frozen the lake, the reed, the electric wires. Frozen the light and frozen the sound. They all froze, maybe into air. You are standing by the lake in the light frozen into nothingness.

There is? Listen to the shed in autumn aspen leaves rustle, or the ripple on the water under the ice. Curves of the hills repose your eyes, grass could fit your hand. Fog shelters your steps, nights fulfill your days. But there is no lake nor reeds. Neither do aspens. No images on the eye, no sound in the ear. If there would be light, you may say that it’s all white. Or all black. And silence. But there is no silence, neither, it also froze. Lightless, shadowless. Soundless and silentless: the middle of nowhere. An unspecified nothing.

Imagine that there is not. Would grow you a voice. Would you increase you a sound, a taste. A taste, a touch. A touch, a shadow. Would grow you a hope.


Imagine that there is.

Buy me. Buy me with a shadow.

About the Parallels – Hommage a Bolyai

Hommage a Bolyai DSC_7628_1

When János Bolyai, the greatest hungarian mathematician, created the basis of the hyperbolic geometry, in a letter adrressed to his father, Farkas Bolyai, wrote the followings:
[I had] created a new, another world out of nothing

András Prékopa, full member of the Hungarian Academy of Sciences states in an article:
„Euclid’s axioms were born just the sake of order, to find a clear way in the chaos of concepts and statements and clarify what is evident and what needs to be proven.“ Euclid’s  geometry was a system that functioned. And still functions. In our terrestrial scale. But if you want to go beyond a point, this system does not work anymore. You can not find new paths walking along the highway.

What was Bolyai’s excellence? He broke with the previosly known paradigm: most mathematicians tried to prove the verity or falsity of the fifth postulate. As long as all mathematicians failed to prove the verity of the fifth postulate Bolyai omitted it and expanded it in a very special way  – and created a new geometry, suitable to explore non-terrestrial scaled spaces. But I don’t want to start a mathematical issue here  – the aim of this post concernes photography. The point is to think. And rethink.

Obviously: every system, based on a set of rules function under specific circumstances. Systems are created to achive goals. Goals have needs on basis. And the system helps us to to reach our goals, satisfy our needs. Once any kind of need is expressed we can build a system to satisfy these needs, and to facilitate achieving our goals – but in those given circumstances. But what is the circumstances change? What if the needs change? Yes, we need a new system. And the task is: find that specific rule, that part of the mechanism that does not function, replace it, or, as Bolyai did, omit it. The result? It could be a new, another world out of nothing.

Wheter all circumstances of photography, every non-dynamic form of visual expression has been isnpected? All its rules are indispensable? Is today digital revolution means the end of image-writers’ era? There could be new forms of expression insisting on the existing set of rules? Is every rule of this system necessary to complete todays photography challenge? Btw: everyone in the occidental culture has at least a pen, a sheet of paper or a computer with text writing software on it, but not all of them are novelists or poets…

Humans, in order to function as humans, need an order, a system. But is this system vital for perception? In our special case: perception of art? Can perception function without any preconceived order or system? And this preconceived perception can be used, or can be useful for us in art or photography? Is ‘useful’ an appropiate, reasonable term accomodating the artistic experience? Does the world may exists only by perception without any explanation, translation of it? And we can enjoy only perception – without interpreting it by the filter of our intellect? Does orderless, intellectless perception means chaos? Or anything, that does not fit our reason is tagged as ‘chaos’? If so, can we explore the outer spaces?