This photograph is a “product” of my second decision. It’s a result of a polemics with a photography fellow. (Otherwise he really takes breathtaking landscape photos which I am invidious for.) Subject? Emotion? Truth? It does not transimt any of them. Maybe in traces you’ll find some kind of subject, but this is really nothing special. No documentary value. No war brutailites. No sorrow. No maltrated kids, no drugjunkies, no social inequality. Not even a person in the frame. And no beautiful landscape either. It does not fit with any up-do-date and popular or mainstream photography trends. It’s not even underground, grunge, minimal, abstract and so on. Not even rural. It’s a kind of nothing. A boring walnut-tree with a pole in front of some plain hills.
My photography fellow is a perfectionist: the smallest divagation from the rules spoils the entire experience of an excellent photography. Yes, indeed: if you search for perfection in photography, if you try to measure it with objective and unquestionable, almost axiomatical rules of photography, a small inaccuracy could be fatal. But what if we don’t take those rules as the Holy Bible. Maybe those rules were created by people who are not perfect. Or whom can make mistakes and erroneus statements. Or, it’ OK with you, that this pole and this bole of a walnut tree could be everything for me, the most valuable thing in the world? Does the photograph really needs a caption, or a short essay like this, to understand, to feel or to be part of an artistic experience?
Finally let’s admit: this photographs is nothing indeed. If you tend to make a 2 seconds decision. Among the myriad of ilusive, eye-candy photographs and visual trash that we face day by day, it’s another dozenframe of a self-proclaimed artist.
But what if you would have more than 2 seconds to immerse yourself in an unfamiliar artistic experience?